Gibson L-7C

1949

This Gibson L-7C is a concert-grade acoustic archtop that shares the fundamental architecture of the Gibson L-5, with its hand-carved solid spruce top, solid maple back and sides, and 17-inch body. It sets itself apart through a slightly more restrained aesthetic. This is an instrument designed for efficiency and musical purpose, built to meet the needs of working musicians with no unnecessary excess. Where the L-5 offers a broader spectrum and a more brilliant projection, the L-7C favors a drier, woodier tone with a clear, immediate attack. Chord definition is excellent, a quality particularly valued for jazz rhythm playing.

Conceived primarily as an acoustic instrument prior to the era of systematic electrification, it delivers a highly readable response reminiscent of the great post-war rhythm-section guitars. To allow for professional use today while respecting the spirit of the instrument, it has been fitted with a period DeArmond pickup. The original tailpiece is included in the case; as often happens, it broke at the hinge, and the tailpiece currently fitted is therefore a modern chrome reproduction. The rosewood fingerboard has been refretted, and the tuners replaced with slightly later models. This was a professional instrument, and all work was carried out with respect for its authenticity, with the goal of optimal functionality. In jazz, there is no room for compromise: it has to sound right, stay in tune, and play in tune.

Today, the L-7C is regarded by many jazz musicians as an alternative to the L-5—less demonstrative, but formidably effective.

It is supplied with its original hard case.

You can hear this very guitar in the two videos below.